top of page

AskBlondieTV LLC

RUM & MUSIC 2026: THE ULTIMATE FÊTE DELIVERS AN UNFORGETTABLE CARIBBEAN EXPERIENCE

Sep 9
3 min read

By noon, the line was already forming outside the Brooklyn Navy Yard.


Rum & Music promised three days, three experiences, one Ultimate Caribbean Weekend, and after two back-to-back days of music, culture and live entertainment, Sunday, September 6, brought the weekend to its final experience: The Ultimate Fête.


And once those gates opened, there was no easing into anything.


The entire Navy Yard was abuzz.


Bars packed. Sold-out tables filled. VIP fully active. Photo activations buzzing. Food-vendor lines stretching as patrons waited their turn. Music moving across the grounds. Everywhere we turned, something was happening.


Rum & Music reported 9,000 patrons for Sunday, and inside that crowd, you could feel every bit of it.


International MC/Host Major Penny held down the day while the DJs kept us moving. And they were phenomenal. Soca, reggae, Caribbean classics—it flowed. One minute, a reggae favorite had thousands of us singing every word together; the next, Soca hit and flags were back in the air, bodies were moving, and the fête shifted gears again.


There was no division in the music, and there was none in the crowd.


Flags from across the Caribbean diaspora were everywhere, with the broader African diaspora represented throughout the grounds.


Different flags. Same energy.


One Caribbean.


And nobody came to stand around.

Some patrons brought chairs. The rest of us discovered quickly that comfortable shoes meant absolutely nothing when every other tune pulled you back onto your feet.


Right in the heart of the crowd were two women in wheelchairs, front and center, fêting with everybody else. The DJ spotted them, gave them their big-up and jumped straight back into the music.


The crowd kept moving.


Then the stage took over.


Problem Child. Lyrikal. Lady Lava. Bunji Garlin.


Every artist was a standout, and every performance came with energy.


There were no spectators when those sets got going. We sang. We jumped. We danced. The artists worked the crowd, thousands answered, and the DJs kept that same frequency moving between performances.


The energy never dropped.


Bunji Garlin brought the unmistakable command of Soca royalty, and by then, it honestly felt as though the energy had reached capacity.


There couldn't possibly be another level.


Then Machel Montano entered the stage.


And just like that, everything shifted.


The King of Soca stepped out and the Navy Yard erupted.


Machel had us rocking. Singing. Jumping. Dancing. Fêting. Thousands of voices answered him, and every time you thought the crowd had given everything it had, he pulled something else out of us.


The energy wasn't just maintained.


He elevated it.


Montano's more than four-decade career is currently being celebrated nearby at Brooklyn Public Library's Central Library at Grand Army Plaza with Machel Montano: Journey of a Soca King, an exhibition recognizing his career and contribution to Soca and Caribbean culture.


At Rum & Music, we experienced exactly why he carries that title.


The King of Soca closed The Ultimate Fête on an undeniable high.


But the stage was only one part of what made Sunday work.


All around us, the Rum & Music machine kept moving—the staff, Major Penny, DJs, bartenders, food vendors, security, production crews and the people working behind the scenes while thousands of patrons remained fully immersed in the experience.


Ten consecutive years showed in the execution.


Rum & Music promised three back-to-back experiences, and the weekend delivered exactly that. Each day carried its own energy, its own artists and its own experience.


Sunday was the final elevation.


The Ultimate Fête brought it all home.


One Caribbean. Thousands of patrons. A crowd that showed up and showed out. Artists who gave us everything. DJs who never let the energy fall. And an entire production team that kept it all moving.


Shoutout to the entire Rum & Music team for an incredible production. The entire staff did the damn thing.


— Keisha Martin | Ask Blondie TV


🇯🇲 🇹🇹 🇧🇧 🇬🇩 🇬🇾 🇭🇹 🇱🇨 🇻🇨 🇩🇲 🇦🇬 🇰🇳 🇧🇸 🇧🇿 🇨🇺 🇩🇴 🇵🇷 🇸🇷 🇦🇼 🇨🇼 🇻🇬 🇻🇮 🇲🇶 🇬🇵 🇧🇲 🌍

 
 
 

Comments


bottom of page